
Written and interviewed by: Neil Miller, Jr.
Chris Connelly has remained an enigmatic presence in the music world for over 20 years now. Here in modern-day Chicago, we know him as a head honcho at Reckless Records and an avant-garde, jack-of-all-trades musician who can toy with any genre he'd like and end up with beyond stellar results. But in his past, we remember him most as one of the core members of Chicago's own Ministry and Revolting Cocks. Both were projects helmed by frontman Al Jourgenson, but Connelly was just as much of an integral part of both bands, their respective side projects PTP and Acid Horse, and the industrial music scene in general (he did sing lead on Ministry's "So What," which is arguably the most popular favorite amongst hardcore fans). He's released work on the seminal Wax Trax! label and worked with other artists such as KMFDM, Pigface, The Damage Manual, and released an enrapturing collaboration with Bill Rieflin (if you haven't heard Largo, you should get on that). Beyond this, he also penned a memoir of his time in the music industry: Concrete, Bulletproof, Invisible, and Fried: My Life As A Revolting Cock.
A busy guy he may be, but not so much that he can't partner up with friend and collaborator Matt Walker and Garbage vocalist Shirley Manson to get together and play a night full of David Bowie songs at the Metro on January 11th. Billed as The Sons of the Silent Age (the title of one of the best songs from Bowie's Heroes), this collective will be performing on this particular night to benefit The Pablove Foundation: an organization whose mission is to "fund pediatric cancer research and advances in treatment, educate and empower cancer families, and improve the quality of life for children living with cancer through hospital play, music and arts programs."
We had a quick email chat with Chris about the event and his affinity for Bowie (which we at UR Chicago share whole-heartedly), which you can read below.
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