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<!--Generated by Squarespace V5 Site Server v5.13.159 (http://www.squarespace.com) on Sat, 25 May 2013 10:03:40 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>UR Chicago Reviews</title><subtitle>REVIEWS</subtitle><id>http://www.urchicago.com/reviews/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.urchicago.com/reviews/"/><link rel="self" type="application/atom+xml" href="http://www.urchicago.com/reviews/atom.xml"/><updated>2013-05-23T08:39:22Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.159 (http://www.squarespace.com)">Squarespace</generator><entry><title>STONE SOUR &amp; PAPA ROACH w/ALL THAT REMAINS, IN THIS MOMENT, &amp; SICK PUPPIES @ Peoria Civic Center</title><category term="Live"/><category term="Live Review"/><category term="all that remains"/><category term="civic center"/><category term="in this moment"/><category term="nneil miller jr"/><category term="papa roach"/><category term="peoria"/><category term="sick puppies"/><category term="stone sour"/><id>http://www.urchicago.com/reviews/2013/5/19/stone-sour-papa-roach-wall-that-remains-in-this-moment-sick.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/5/19/stone-sour-papa-roach-wall-that-remains-in-this-moment-sick.html"/><author><name>neilmillerjr</name></author><published>2013-05-20T01:03:28Z</published><updated>2013-05-20T01:03:28Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/corey1.jpg?__SQUARESPACE_CACHEVERSION=1369012203749" alt="" /></span></span>Stone Sour &amp; Papa Roach w/In This Moment, Sick Puppies, and All That Remains</strong><br />Where: <strong><a href="http://www.peoriaciviccenter.com/">Peoria Civic Center</a></strong><br />When: May 16th, 2013<br />Grade: <strong>Stone Sour/Papa Roach/All That Remains</strong>: 4 out of 5 meatballs<strong><br />In This Moment &amp; Sick Puppies</strong>: 2 out of 5 meatballs<br />Reviewed and photographed by: Neil Miller, Jr.</p>
<p>&ldquo;Never forget where you came from&rdquo; &mdash;&nbsp;those words echo in my mind with every show I cover, every album I review, and every band I get the pleasure of meeting. I haven&rsquo;t always been a Chicago native, so every once in a while, I like to head down to my hometown of Peoria and see how rock music is alive and kicking there. I told my friend on our way down to P-town that the city which rests in the heart of Illinois is a mecca for rock &lsquo;n roll. It&rsquo;s the reason I still love hard rock and metal to this day. In my teen years, it was the place to be for a real rock fanatic, as all of my favorite bands at the time would be sure to stop through &mdash;&nbsp;Slipknot, Coal Chamber, Sevendust, Orgy, Slayer, Ministry, System of a Down &mdash;&nbsp;the list is endless. So, when I saw that Stone Sour would be hitting Peoria&rsquo;s Civic Center, I knew it was a show that couldn&rsquo;t be missed. Stone Sour/Slipknot frontman Corey Taylor has always been very vocal in his affinity for Peoria and the Midwest in general, and from seeing him in various incarnations throughout the last 15 years or so, I knew he&rsquo;d do something special for us, and indeed he did. First, though, we had to witness a brutal onslaught of hard rock from a slew of diverse openers &mdash; some great and some not so much.</p>]]></summary></entry><entry><title>IAMX @ Lincoln Hall</title><category term="Live"/><category term="Live Review"/><category term="chris corner"/><category term="iamx"/><category term="neil miller jr."/><category term="sneaker pimps"/><id>http://www.urchicago.com/reviews/2013/5/8/iamx-lincoln-hall.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/5/8/iamx-lincoln-hall.html"/><author><name>neilmillerjr</name></author><published>2013-05-08T07:10:36Z</published><updated>2013-05-08T07:10:36Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/IAMX5.jpg?__SQUARESPACE_CACHEVERSION=1367997188627" alt="" /></span></span><a href="http://www.iamx.eu/">IAMX</a><br /></strong>Where: <strong><a href="http://www.lincolnhallchicago.com/">Lincoln Hall</a></strong><br />When: May 2nd, 2013<br />Grade: 4 out of 5 meatballs<br />Reviewed and photographed by: Neil Miller, Jr.</p>
<p>Each time I see IAMX live, an overwhelming sense of things coming full circle astounds me. You see, the only reason you&rsquo;re reading this review of Chris Corner&rsquo;s amazing show at Lincoln Hall this past Thursday night on UR Chicago is because I pitched a feature on him many years ago to the magazine to preview his then upcoming date in Chicago to support his second album, <em>The Alternative</em>. I&rsquo;ve been a fan of Corner&rsquo;s work since he was one of the brainiacs behind Sneaker Pimps and time has only nurtured that fandom into something purely loyal and faithful. I may not have liked his last album, <em>Volatile Times</em>, but I still know that IAMX live is an experience like no other. Packed with the dramatics of a Shakespearean play, flawless musicianship, and loads of punk attitude and unbridled energy, Chris Corner and company dominate every stage they step foot on. Touring in support of an album that could very well be his best yet, <em>The Unified Field</em>, IAMX cranked up the energy dial to 11 and blew the minds of Lincoln Hall&rsquo;s sold-out crowd.</p>]]></summary></entry><entry><title>N0S4A2</title><category term="Book review"/><category term="Books"/><category term="Joe Hill"/><category term="N0S4A2"/><category term="Pawl Schwartz"/><category term="horror fiction"/><category term="speculative fiction"/><id>http://www.urchicago.com/reviews/2013/4/30/n0s4a2.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/30/n0s4a2.html"/><author><name>UR Chicago</name></author><published>2013-04-30T23:09:00Z</published><updated>2013-04-30T23:09:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/N0s4A2.jpg?__SQUARESPACE_CACHEVERSION=1367018015997" alt="" /></span></span>N0S4A2</strong><br /> Author/Publisher: Joe Hill/William Morrow<br /> Released on: April 30th, 2013<br /> Grade: 5 out of 5 meatballs<br /> Reviewed by: Pawl Schwartz<br /><br />If you read one horror novel this year, let this be it. Hill&rsquo;s vision is truly unique and more fully realized than all of his competitors in the horror field. <em>N0S4A2</em> is a treasure that should not be taken lightly. There is a real world inside this book, one that will void your bowels with images of fishhook teeth and toddlers stumbling around stabbing each other on the white snow of a Christmas-themed amusement park (it&rsquo;s their favorite game &mdash; stab-the-drifter!). The name Charlie Manx will haunt you. A man out of time, like a MIB, he kidnaps children in his Rolls-Royce and drives them down the highways of his mind, preserving them in their young innocence as he sucks the life out of them during the car ride like an aggressive sponge. He then places the leftover husks of the children in mylar bags on a shelf in his mind he calls &ldquo;Christmasland&rdquo; from which they can never return.]]></summary></entry><entry><title>To the Wonder</title><category term="Ben Affleck"/><category term="Javier Bardem"/><category term="Movies"/><category term="Olga Kyrylenko"/><category term="Rachel McAdams"/><category term="SIGNIS Award 2012"/><category term="Terrence Malick"/><category term="To the Wonder"/><category term="Venice International Film Festival 2012"/><id>http://www.urchicago.com/reviews/2013/4/30/to-the-wonder.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/30/to-the-wonder.html"/><author><name>UR Chicago</name></author><published>2013-04-30T21:23:00Z</published><updated>2013-04-30T21:23:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/to_the_wonder_ver7.jpg?__SQUARESPACE_CACHEVERSION=1367011675948" alt="" /></span></span>To the Wonder</strong><br /> Director: Terrence Malick<br /> Released on: April 12th, 2013<br /> Grade: 4 out of 5 meatballs<br /> Reviewed by: Justin Tucker<br /><br /> When <em>To the Wonder</em>, the latest from maestro Terrence Malick, premiered at last year&rsquo;s Venice International Film Festival, it is reported to have been met with both acclaim and beratement from the audience. Regardless, the film still won the festival&rsquo;s <a href="http://www.signis.net/article.php3?id_article=5321" target="_blank">SIGNIS Award</a>. At my particular screening there were a few laughs, a few walkouts and one guy snoring loud enough to get a few more laughs. True, Malick isn&rsquo;t everyone&rsquo;s cup of tea, but that&rsquo;s their loss. <em>To the Wonder</em> is a satisfying, albeit pretentious, piece of art cinema with<em> </em>all the Malick attributes one would expect: fragmented storyline, voice-overs, shots of the sun, dazzling music, spiritual contemplation.]]></summary></entry><entry><title>Olympus Has Fallen</title><category term="Antoine Fuqua"/><category term="Gerard Butler"/><category term="Morgan Freeman"/><category term="Movies"/><category term="North Korea"/><category term="Olympus Has Fallen"/><category term="action movie"/><id>http://www.urchicago.com/reviews/2013/4/26/olympus-has-fallen.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/26/olympus-has-fallen.html"/><author><name>UR Chicago</name></author><published>2013-04-26T23:14:28Z</published><updated>2013-04-26T23:14:28Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/Olympus-Has-Fallen-Poster-Official-570x844.jpg?__SQUARESPACE_CACHEVERSION=1367018474105" alt="" /></span></span>Olympus Has Fallen </strong><br /> Directed by: Antoine Fuqua<br /> Released: March 22nd, 2013<br /> Grade: 2.5 out of 5 meatballs<br /> Reviewed by: Justin Tucker<br /><br /> There&rsquo;s nothing more American than Hollywood rolling out a rowdy action film to ring in the spring. This year that honor belongs to <em>Olympus Has Fallen</em>. As an action film, it meets its quota for genre conventions and clich&eacute;s. There are explosions, gun fights and terrorist bad guys. Completely run-of-the-mill, it&rsquo;s an openly jingoistic <em>Die Hard</em> meets <em>Air Force One</em> with a dash of <em>Red Dawn</em>.<br /><br /> The film stars Gerard Butler as Mike Banning, a Secret Service agent who once served on the security detail of President Benjamin Asher (Aaron Eckhart) but was demoted after an accident took the life of the First Lady (Ashley Judd). Though having been relegated to pushing paper elsewhere in the Department of the Treasury, Banning greatly misses working directly for the President.]]></summary></entry><entry><title>SHINING || One One One</title><category term="Album Review"/><category term="Albums"/><category term="Pawl Schwartz"/><category term="one one one"/><category term="shining"/><id>http://www.urchicago.com/reviews/2013/4/25/shining-one-one-one.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/25/shining-one-one-one.html"/><author><name>neilmillerjr</name></author><published>2013-04-25T15:00:35Z</published><updated>2013-04-25T15:00:35Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/shining.jpg?__SQUARESPACE_CACHEVERSION=1366749574815" alt="" /></span></span>Shining<br /><em>One One One<br /></em></strong>Label: Prosthetic Records<br />Released on: May 28th, 2013 (physical) | April 23rd, 2013 (digital)<br />Grade: 5 out of 5 meatballs<br />Reviewed by: Pawl Schwartz</p>
<div id="_mcePaste">The world of metal sits in gloom and stagnation. As a whole, it has seen better years with more leaps forward. The most talented bands of late have been good, but nowhere near groundbreaking. Suddenly, out of the mist, a wild Music Group appears! It&rsquo;s from Norway, and it&rsquo;s metal. You already think you know what it must sound like, so you cast a pokeball at it, ready to move on. That shit bounces right off like a rubber dart, because whatever it is you think this band sounds like, you are wrong. You need to hear it for yourself.</div>]]></summary></entry><entry><title>YEAH YEAH YEAHS || Mosquito</title><category term="Album Review"/><category term="Albums"/><category term="Pawl Schwartz"/><category term="mosquito"/><category term="yeah yeah yeahs"/><id>http://www.urchicago.com/reviews/2013/4/25/yeah-yeah-yeahs-mosquito.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/25/yeah-yeah-yeahs-mosquito.html"/><author><name>neilmillerjr</name></author><published>2013-04-25T14:01:01Z</published><updated>2013-04-25T14:01:01Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/Yeah-Yeah-Yeahs-Mosquito-608x607.jpg?__SQUARESPACE_CACHEVERSION=1366749071761" alt="" /></span></span>Yeah Yeah Yeahs<br /><em>Mosquito</em></strong><br />Label: Interscope Records<br />Released on: April 16th, 2013<br />Grade: 1 out of 5 meatballs<br />Reviewed by: Pawl Schwartz</p>
<p dir="ltr">Guys, it hurts me to write this. I love to see bands who put out nothing but good material, solid album after solid album, and never falter. Until now, the Yeah Yeah Yeahs were one of those bands. Three solid releases in a row. Now, as you may have guessed, they have finally fucked up. This album is as dull as a math textbook; it&rsquo;s as simple as that. By halfway through, I was still waiting for something to happen. By the end, nothing had. I even turned on the artist formerly known as Snoop Dogg before the last two songs just to give myself a break, and low and behold, when I returned to the album, I found that I had been having a much better time listening to Snoop. If that doesn&rsquo;t signify that the Yeah Yeah Yeahs have really fucked up, then I don&rsquo;t know what does.</p>]]></summary></entry><entry><title>COLISEUM || Sister Faith</title><category term="Album Review"/><category term="Albums"/><category term="Pawl Schwartz"/><category term="coliseum"/><id>http://www.urchicago.com/reviews/2013/4/18/coliseum-sister-faith.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/18/coliseum-sister-faith.html"/><author><name>neilmillerjr</name></author><published>2013-04-18T18:39:00Z</published><updated>2013-04-18T18:39:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<div id="_mcePaste"><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/Coliseum-Sister-Fait-608x608.jpg?__SQUARESPACE_CACHEVERSION=1365792082420" alt="" /></span></span><strong><a href="http://coliseumsoundsystem.com/">Coliseum</a><br /><em><a href="http://coliseum.bandcamp.com/album/sister-faith">Sister Faith</a></em></strong><br />Label: Temporary Residence<br />Released on: April 30th, 2013<br />Grade: 5 out of 5 meatballs<br />Reviewed by: Pawl Schwartz</div>
<div><br />Always as solid as it&rsquo;s name, <a href="http://coliseumsoundsystem.com/">Coliseum</a> comes across like a scholarly barbarian, all controlled energy and clever war cries. Sometimes they can get a little too lumbering, as on <em>House with a Curse</em>, but as seen on their last EP,<em> Parasites</em>, sometimes Coliseum can really stretch its legs and reach grand new, almost technical, indie rock heights. They have their power, of this they are sure, so they pull all of their musical tricks out of a strangely gritty indie rock bag, worrying more about little touches in the songwriting than beefing up the already beefy riffs. This is understated done right. It may sound a little boring to some metal heads, but with repeated listens and the right frame of mind, they will love it all the same. Kids who stray more to the hard/weird kind of music than any particular genre will be surprised by how much they love this and will become instant fans. This is Louisville, KY Hardcore (as exemplified by bands like Black Cross and Young Widows) to be sure, but some of the musical left turns Coliseum takes here sound influenced more by Washington, DC.</div>]]></summary></entry><entry><title>Garbage /IO Echo @ Riviera Theatre</title><category term="Live"/><category term="Live"/><category term="garbage"/><category term="io echo"/><category term="leopold ross"/><category term="neil miller jr"/><category term="riviera theatre"/><id>http://www.urchicago.com/reviews/2013/4/8/garbage-io-echo-riviera-theatre.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/8/garbage-io-echo-riviera-theatre.html"/><author><name>neilmillerjr</name></author><published>2013-04-08T09:21:57Z</published><updated>2013-04-08T09:21:57Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/garbage3.jpg?__SQUARESPACE_CACHEVERSION=1365413403537" alt="" /></span></span>Garbage w/IO Echo<br /></strong>Where: <strong><a href="http://www.jamusa.com/Venues/Riviera/Concerts.aspx">Riviera Theatre</a></strong><br />When: April 3rd, 2013<br />Grade: <strong><em>IO Echo</em></strong>: 4.5 out of 5 meatballs ||&nbsp;<strong><em>Garbage</em></strong>: 4 out of 5 meatballs<br />Reviewed and Photographed by: Neil Miller, Jr.</p>
<p>It had been almost exactly 15 years since I&rsquo;d last seen Garbage onstage. To say that I saw Garbage at a creative and commercial peak would be an understatement.&nbsp;<em>Version 2.0&nbsp;</em>had just dropped a month before I saw Garbage perform at the Hurricane Festival in Schee&szlig;el, Germany, and they were riding high off of their larger-than-life new single, &ldquo;Push It.&rdquo; Seeing Garbage back then at the age of 13, it was clear this was a band poised to take over the world head on. Walking up to the Riviera Theatre this past Thursday evening, I wasn&rsquo;t sure what to expect. Would they cater to their subpar latest album or pull a bunch of deep cuts and oldies out of their bag of tricks? Luckily for myself and every other old school Garbage fan, it was more of the latter.</p>]]></summary></entry><entry><title>alt-J w/Hundred Waters @ Metro</title><category term="Chicago"/><category term="Live"/><category term="Live"/><category term="Metro"/><category term="alt-j"/><category term="an awesome wave"/><category term="hundred waters"/><category term="neil miller jr."/><id>http://www.urchicago.com/reviews/2013/4/1/alt-j-whundred-waters-metro.html</id><link rel="alternate" type="text/html" href="http://www.urchicago.com/reviews/2013/4/1/alt-j-whundred-waters-metro.html"/><author><name>neilmillerjr</name></author><published>2013-04-01T22:12:25Z</published><updated>2013-04-01T22:12:25Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/alt-J 7.jpg?__SQUARESPACE_CACHEVERSION=1364545970596" alt="" /></span></span>alt-J w/Hundred Waters</strong><br />Where: <strong><a href="http://www.urchicago.com">Metro</a></strong><br />When: March 28th, 2013<br />Grade: 4 out of 5 meatballs<br />Reviewed and photographed by: Neil Miller, Jr.</p>
<p>The best shows are always the ones where every artist performing is top notch. The Metro frequently brings in shows of this variety, and that is precisely why it will always be Chicago&rsquo;s best venue for <em>real </em>music. Tonight&rsquo;s alt-J show was no exception to that trend and although we only caught the second half of Hundred Waters&rsquo; texture-rich and mesmerizing set, that much in itself was a nice treat for our ears. Surrounding themselves with synths and samplers with a live drummer to fill out their multi-layered sound, Hundred Waters delivered a set worthy of an Arcade Fire-style following&hellip; and they definitely have the potential to become a band of that magnitude through their wistful harmonies and spastic dives into whatever genre they feel like owning for each song. But alas, Hundred Waters was the opener, and the best part of the night was yet to come&hellip;</p>]]></summary></entry></feed>