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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Thu, 09 Feb 2012 00:23:14 GMT--><rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><title>UR Chicago Reviews</title><link>http://www.urchicago.com/reviews/</link><description></description><lastBuildDate>Mon, 06 Feb 2012 18:39:50 +0000</lastBuildDate><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Lamb of God || Resolution</title><category>Albums</category><category>lamb of god</category><dc:creator>neilmillerjr</dc:creator><pubDate>Sat, 28 Jan 2012 18:56:38 +0000</pubDate><link>http://www.urchicago.com/reviews/2012/1/28/lamb-of-god-resolution.html</link><guid isPermaLink="false">496935:6286615:14766024</guid><description><![CDATA[<p><strong><span><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/logresbig.jpg?__SQUARESPACE_CACHEVERSION=1327777100845" alt="" /></span></span>Lamb of God</span><br /><span><em>Resolution</em></span></strong><br /><span>Label: Epic Records</span><br /><span>Released on: Jan 24th, 2012</span><br /><span>Grade: 5 out of 5 meatballs</span><br /><span>Reviewed by: Pawl Schwartz</span></p>
<p dir="ltr"><span>All hail the new kings of speed metal. I can&rsquo;t believe that it has taken this long, but truly, Lamb of God is the only band that is worthy to step up to the big four and take a throne. Just take one listen to "Vigil," a live track thrown in among studio recordings (a touch that I love). It lets you know that Lamb of God is serious enough about the creation of an album that they have listened to every possible take of every song and chosen the best, even if it wasn&rsquo;t recorded under ideal conditions. </span></p>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14766024.xml</wfw:commentRss></item><item><title>Gonjasufi || MU.ZZ.LE</title><category>Albums</category><category>gonjasufi</category><dc:creator>neilmillerjr</dc:creator><pubDate>Fri, 20 Jan 2012 02:41:49 +0000</pubDate><link>http://www.urchicago.com/reviews/2012/1/19/gonjasufi-muzzle.html</link><guid isPermaLink="false">496935:6286615:14656676</guid><description><![CDATA[<div><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/Gonjasufi-MUZZLE.jpg?__SQUARESPACE_CACHEVERSION=1327098669937" alt="" /></span></span>Gonjasufi</strong></div>
<div><strong><span> </span><em>MU.ZZ.LE</em></strong></div>
<div><span> </span>Label: Warp Records</div>
<div><span> </span>Released on: January 24th, 2012</div>
<div><span> </span>Grade: 4 out of 5 meatballs</div>
<div><span> </span>Reviewed by: Pawl Schwartz</div>
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<div><span> </span><br />It's like a young Tom Waits heard trip-hop and decided that not only was it too fast, it also had no soul, and both of those things needed to be corrected. Of course, the instrumentation in Gonjasufi extends beyond the normal trip-hop pallette (this, besides his vocals, is where most of Gonjasufi's sonic identity lies), but I swear, for a pallette that I couldn't pin down on the first album, Sumach Ecks seems to be able to duplicate it quite well on <em>MU.ZZ.LE</em>. Good thing? Depends on what kind of music listener you are. I mean, it's certainly better than producing a shitty album, but playing it safe like this is just so... unbecoming of an artist as out there as Gonjasufi is. His sound pulls outward at the edges, just itching to expand.</div>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14656676.xml</wfw:commentRss></item><item><title>The Big Pink || Future This</title><category>Albums</category><category>The Big Pink</category><dc:creator>neilmillerjr</dc:creator><pubDate>Sun, 15 Jan 2012 15:48:17 +0000</pubDate><link>http://www.urchicago.com/reviews/2012/1/15/the-big-pink-future-this.html</link><guid isPermaLink="false">496935:6286615:14589442</guid><description><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/the-big-pink-future-this.jpg?__SQUARESPACE_CACHEVERSION=1326642664293" alt="" /></span></span>The Big Pink<br /><em><a href="http://itunes.apple.com/us/album/future-this-bonus-track-version/id485053964">Future This</a></em></strong><br />Label: 4AD Records<br />Released on: January 16th, 2012<br />Grade: 5.5 out of 5 meatballs<br />Reviewed by: Neil Miller, Jr.</p>
<p>This is an album I feel like I&rsquo;ve waited eons for. After the instantly enrapturing <em>Brief History of Love</em> album, I thought it would be impossible for The Big Pink to top themselves. Then I saw them live at the Metro and witnessed a whole other dimension to this spectacular assembly of talent. It was then that they became one of my favorite bands of all time, and my hopes for their future output grew a thousand fold. So, now that I&rsquo;ve been soaking up their new album, <em>Future This</em>, for the past month or so, I&rsquo;m ready to tell you exactly how I feel about it. If you can&rsquo;t tell from the outrageous rating I gave this record, I absolutely am head over heels in love with it &mdash;&nbsp;and I&rsquo;ll tell you why.</p>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14589442.xml</wfw:commentRss></item><item><title>The Devil Inside</title><category>Movies</category><category>the devil inside</category><dc:creator>neilmillerjr</dc:creator><pubDate>Fri, 06 Jan 2012 05:50:46 +0000</pubDate><link>http://www.urchicago.com/reviews/2012/1/5/the-devil-inside.html</link><guid isPermaLink="false">496935:6286615:14462158</guid><description><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/The Devil Inside Movie Poster.jpg?__SQUARESPACE_CACHEVERSION=1325829298662" alt="" /></span></span>The Devil Inside</strong><br />Directed by: William Brent Bell<br />Released on: January 6th, 2012<br />Rating: 4.5 out of 5 meatballs<br />Reviewed by: Neil Miller, Jr.<br /><br />Wow. I never in a million years thought I could appreciate a documentary-style horror film as much as horror films of the 70s, 80s, and 90s. When I initially saw the trailer for <em>The Devil Inside</em> in the sequence of trailers prior to the latest <em>Paranormal Activity</em> film, I knew this would be one to keep an eye on. But at the same time, I also know that trailers are designed to shock and awe &mdash;&nbsp;otherwise, what else is there to make you want to see a film? I always go into a new movie with a purely skeptical mind. It takes a lot to win me over, especially if the film in question is of the horror genre. I can honestly say that from the time I sat down in the theater seat to the moment the credits rolled, I was 100% enthralled with the progression of this movie. What made this movie so tantalizing that I couldn&rsquo;t even bring myself to look away for one minute?]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14462158.xml</wfw:commentRss></item><item><title>Amy Winehouse || Lioness: Hidden Treasures</title><category>Albums</category><category>amy winehouse</category><dc:creator>neilmillerjr</dc:creator><pubDate>Tue, 20 Dec 2011 19:56:00 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/20/amy-winehouse-lioness-hidden-treasures.html</link><guid isPermaLink="false">496935:6286615:14652294</guid><description><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/amy-winehouse-lioness.jpg?__SQUARESPACE_CACHEVERSION=1327004002435" alt="" /></span></span>Amy Winehouse<br /><em>Lioness: Hidden Treasures</em></strong><br />Label: Island/Lioness Records<br />Released on: December 6th, 2011<br />Grade: 5 out of 5 meatballs<br />Reviewed by: Lindsey Shaw</p>
<p>When I heard the news of Amy Winehouse passing away from an overdose, I was devastated as any legitimate fan would be. I found myself hiccup crying as if a friend from middle school had been taken too soon. My mom was visiting that weekend and consoled me, knowing how much I loved the artist and incomparable voice that was Winehouse. Sniffling and YouTubing my favorite songs by Amy, I took a mental back step thinking, &ldquo;Why am I this thrown by the death of a famous person I never really knew?&rdquo; The answer was simple. I was shedding tears in mourning a girl who spoke to me through lyrics, allowing me to draw a parallel between her heartaches and my own.&nbsp;</p>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14652294.xml</wfw:commentRss></item><item><title>The Birthday Massacre @ House of Blues</title><category>Live</category><category>The Birthday Massacre</category><dc:creator>neilmillerjr</dc:creator><pubDate>Tue, 20 Dec 2011 04:44:27 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/19/the-birthday-massacre-house-of-blues.html</link><guid isPermaLink="false">496935:6286615:14191261</guid><description><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/DSC03966.JPG?__SQUARESPACE_CACHEVERSION=1324357090282" alt="" /></span></span><a href="http://www.thebirthdaymassacre.com/">The Birthday Massacre</a><br /></strong>Where: <strong>House of Blues<br /></strong>When: December 18, 2011<br />Grade: 4.5 out of 5 meatballs<br />Reviewed and photographed by: Neil Miller, Jr.</p>
<p>The Birthday Massacre may get paired up with some surprising acts on the road &mdash;&nbsp;as was the case with Dir en Grey this time around &mdash;&nbsp;but they have carved out their own niche musically for long enough now that they have their own faithful following. This is always evident when they hit up Chicago where no matter who they may be performing with, they&rsquo;ll always have a crowd of their own fans.&nbsp; This past Sunday at the House of Blues was no different, finding people dressed up in Birthday Massacre t-shirts, adorned with their bunny logo, or there&rsquo;s even the plain Jane fan like me who&rsquo;s fine with fist pumping along with their set. Whatever the case, The Birthday Massacre have earned their fanbase through years of consistently solid recordings and relentless touring.</p>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14191261.xml</wfw:commentRss></item><item><title>The Black Keys || El Camino</title><category>Albums</category><category>the black keys</category><dc:creator>neilmillerjr</dc:creator><pubDate>Mon, 19 Dec 2011 20:39:36 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/19/the-black-keys-el-camino.html</link><guid isPermaLink="false">496935:6286615:14186442</guid><description><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/Black-Keys-El-Camino.jpg?__SQUARESPACE_CACHEVERSION=1324327310945" alt="" /></span></span>The Black Keys</strong><br /><strong><em>El Camino</em></strong><br />Label: Nonesuch Records<br />Released on: December 6th, 2011<br />Grade: 3.5 out of 5 Meatballs<br />Reviewed by: Rebecca &ldquo;Bonks&rdquo; Rothschild<br /><br />One of my favorite things about&nbsp;The Black Keys<strong>&nbsp;</strong>is that they make it easy for me to forget what decade these boys are from. <em>Brothers</em>&nbsp;has to be my favorite of the now seven studio albums&nbsp;The Black Keys&nbsp;have dropped, but their newest bundle of rock hits entitled <em>El Camino</em>&nbsp;has its place on my list. The tracks that grabbed my attention were &ldquo;Gold on the Ceiling&rdquo; and &ldquo;Nova Baby,&rdquo; mainly because they leave that <em>Brothers</em> sensation in my ears. Other favorites of a different sound are &ldquo;Lonely Boy,&rdquo; which kicks off the album, and &ldquo;Little Black Submarines&rdquo; (my absolute favorite on this album), which shows off the timeless rock sound that the band is known for.&nbsp;]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14186442.xml</wfw:commentRss></item><item><title>The Roots || Undun</title><category>Albums</category><category>the roots</category><dc:creator>neilmillerjr</dc:creator><pubDate>Mon, 19 Dec 2011 20:32:31 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/19/the-roots-undun.html</link><guid isPermaLink="false">496935:6286615:14186367</guid><description><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/the-roots-undun-jpeg-300x300.jpg?__SQUARESPACE_CACHEVERSION=1324326912567" alt="" /></span></span>The</strong>&nbsp;<strong>Roots</strong><br /><strong><em>Undun</em></strong><br />Label: Def Jam Records<br />Released on: December 6th, 2011<br />Grade: 4 out of 5 Meatballs<br />Reviewed by: Rebecca &ldquo;Bonks&rdquo; Rothschild<br /><br />For a group with a timeline of brilliant work filled with soul and meaning, I made sure to create an atmosphere for myself before listening to this album. For me that meant no excess noises and very dim lighting; luckily my Christmas tree provides the perfect amount of light. So, now that I had set up my middle school make-out party scene I was ready for&nbsp;The Roots'&nbsp;latest album <em>Undun</em>.&nbsp;]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14186367.xml</wfw:commentRss></item><item><title>FLOSSTRADAMUS || Jubilation EP</title><category>Albums</category><category>flosstradamus</category><dc:creator>neilmillerjr</dc:creator><pubDate>Wed, 14 Dec 2011 00:21:07 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/13/flosstradamus-jubilation-ep.html</link><guid isPermaLink="false">496935:6286615:14098868</guid><description><![CDATA[<strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/fj465.jpg?__SQUARESPACE_CACHEVERSION=1323822562808" alt="" /></span></span><span><span>Flosstradamus</span></span></strong><br /><strong><em>Jubilation E.P.</em></strong><br />Label: Green Label Sound<br />Released on: November 29th, 2011<br />Grade: 2 out of 5 Meatballs<br /><span>Reviewed by: Rebecca &ldquo;<span>Bonks</span>&rdquo; Rothschild</span><br /><br /><span>What constitutes a groundbreaking house <span>EP</span> these days? For some reason Flosstradamus&rsquo;s </span><em>Jubilation</em><span> did not answer this question for me. Decent samples over some frantic, fancy-footwork beats is fine and dandy, but I need more than fine and dandy. I have a soft spot for the Midwest sensation that is <span>Flosstradamus</span>, and I have high hopes, as do their fans. Unfortunately, I&rsquo;m just not feeling the &ldquo;Jubilation&rdquo; wi<span>th</span> this latest release.&nbsp;</span>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14098868.xml</wfw:commentRss></item><item><title>TORI AMOS @ Chicago Theatre</title><category>Live</category><category>tori amos</category><dc:creator>neilmillerjr</dc:creator><pubDate>Tue, 13 Dec 2011 09:17:53 +0000</pubDate><link>http://www.urchicago.com/reviews/2011/12/13/tori-amos-chicago-theatre.html</link><guid isPermaLink="false">496935:6286615:14086213</guid><description><![CDATA[<p><strong><span class="full-image-float-left ssNonEditable"><span><img src="http://www.urchicago.com/storage/reviews/IMG_2864.JPG?__SQUARESPACE_CACHEVERSION=1323767999658" alt="" /></span></span>Tori Amos<br /></strong>Where: <strong>Chicago Theatre</strong><br />When: December 10th, 2011<br />Grade: 5 out of 5 meatballs<br />Reviewed by: Neil Miller, Jr.</p>
<p>Every so often, an artist comes along who transcends the boundaries of modern day musical mediums and manages to shine even brighter onstage. You probably have your own list of these personal favorites <span style="color: #181818;">&mdash;&nbsp;</span>my list would feature Prince, Bj&ouml;rk, Nine Inch Nails, Erykah Badu, and Tori Amos. The latter happens to be a unique artist on my list because although her records have fluctuated in consistency, she never fails to bring it with her live show. She&rsquo;s one of those artists who could put out a string of disappointing records but will still manage to sell out shows left and right based on the strength of her performances. Such was the case at the Chicago Theatre this past weekend. Amos treated a sold out crowd to a setlist built on the entire trajectory of her career... b-sides and all.</p>]]></description><wfw:commentRss>http://www.urchicago.com/reviews/rss-comments-entry-14086213.xml</wfw:commentRss></item></channel></rss>
